Still life and urban sketching. Because apparently, I can’t sit still OR leave my house without a sketchpad.
So Leonardo da Vinci’s Notebook told me something rather inconvenient: artists need to constantly find new things to paint or draw. (Thanks a lot, Leonardo—no pressure!) Thus began my endless quest to think outside the box that I’m apparently always painting inside. This summer, I had a minor epiphany: watercolor graphic technique is NOT just fancy coloring books. Shocking, I know. It was a small discovery that spiraled into full-blown artistic obsession, and now here we are.
My still life muse? Bright reddish peonies, obviously. I arranged them artfully on my treasured Leonardo da Vinci book, added my glasses (for the intellectual look), threw in a cup of cappuccino (for the vibes), and created what I can only describe as a masterpiece of self-indulgence. Voilà! Another watercolor and ink painting in my beloved impressionist style was born.

Just imagine it: a warm Mediterranean evening, you’re wandering charming cobblestone streets, and voila—red and pink peonies spill from a straw basket on some picturesque wood door or window. That’s watercolor and ink, my friend. That’s impressionism at its finest. That’s also my elaborate fantasy about our future travels to southern France, Italy, or possibly Greece (I’m not picky when it comes to vacation dreams). Who knows where wanderlust will take us? :)

Shout-out to my daughter for the phenomenal gift: Leonardo’s Notebook. This book is basically the gift that keeps on giving—centuries-old wisdom from a guy who was basically good at everything. It’s like having a Renaissance master constantly looking over your shoulder with 500-year-old advice. Terrifying and inspiring in equal measure.
Bon voyage! Until the next adventure awaits! Stay healthy and hydrated (your skin will thank you when you’re sketching in the Mediterranean sun).
All paintings belong to the author. Seriously, don’t copy them. I mean it. My lawyer says I have to say that. Just go make your own masterpiece!
Tools used for my painting: Watercolors by Charvin and Van Gogh (because apparently only the best will do for this artist’s delusions). Pastels by GrayPas Expressionist (the feisty cousin of regular pastels). Derwent watercolor pencils and Faber Castell artist pens (because one type of pen is never enough). Paper: Strathmore Watercolor and Mixed Media albums in that perfect 15×20 cm (6×8 inch) size—not too big, not too small, just right for my control-freak tendencies.




