Art and Travel. Roman concrete and the revolution in Roman Architecture. Watercolor journey with the course Roman Architecture by the Yale University.

Artist, Roman Architecture, Uncategorized, Urban sketching, Voyage

I continue the stay-at-home travel Art + Roman Architecture + the city of Rome with Yale’s course Roman Architecture https://www.coursera.org/learn/roman-architecture.

Roman concrete and the revolution in Roman Architecture. 3-1

There is a wonderful place near Rome, UNESCO city of Palestrina. The Sanctuary of Fortuna Primigenia at Palestrina (ancient Praeneste) in Italy was built in the 2nd century BCE to honour of the Goddess Isis, the goddess of femininity and motherhood and Fortuna, the ancient Roman goddess of luck. It was built on a natural hill on cement.


My painting is about the interior space of the Sanctuary of Fortuna Primigenia. It was a Sanctuary with built-in shops and a detached theatre in the Middle Ages. For my painting I added subtle bluish and greenish hues, because, of course, the stones fell off and the cement had been exposed over the millennia. Luckily for us, the Temple with its delicate arches has survived until now, and modern architects and archaeologists continue to explore and discover the secrets of ancient Roman architects even after millennia.


The genius Roman architects noticed that the volcanic dust, which is found in the sea in Italy, turns into pumice when in multitude. They realized that it can be used to strengthen any building. This revolutionary discovery created the Roman cement from ash, lime, sand, pebbles of a certain size and volcanic ash and sea water. Added either be large stone blocks or it could be small pieces of stone presses into the concrete when concrete was still wet. When dried, that stones made the building look more attractive and protected the building from moisture.


Like modern constructors, the Romans erected wooden frames for the walls and ceilings and poured the concrete into them. Romans solved two problems this way, protected cement from moisture and hid the non-attractive part of cement at the same time. I would add that they were saving money for the construction and gaining valuable experience. Using the new revolutionary technology, they started to build not only Temples and villas for the rich, they started to develop and build more, and thanks to this experience and development, today we can still admire the architectural monuments of the past.

Another one-day trip from Rome is on my way in Italy:)

All roads lead to Rome- Alain de Lille

Bon voyage! Until the next travel:) Stay healthy.

All paintings belong to the author. No image is to be copied without permission.

previous post

https://travelartblog.home.blog/2021/04/05/art-and-travel-the-advent-of-the-corinthian-order-roman-architecture-watercolor-journey-with-the-course-roman-architecture-by-the-yale-university/

Links

You can visit my personal website pages here and find out more about the artwork I am offering in oil and watercolor paintings; purchase canvas prints, framed prints, and more artwork.

my personal site http://tamara-vitsenkova.pixels.com

https://www.artincanada.com/gallery/tamara-vitsenkova/ https://www.artwanted.com/tvitsenkova/slideshow/ https://fineartamerica.com/profiles/tamara-vitsenkova/shop https://www.facebook.com/tvitsenkova/ https://www.instagram.com/tvitsenkova/

https://www.coursera.org/learn/roman-architecture/home/welcome

My favorite art store in Toronto is Deserres at Spadina Ave

Painting- Palestrina, Roman Architecture

Year of construction 2nd century BC

Address: Via Colle Pastino 20, 00036, Palestrina Italy

Tools used for my painting Watercolour Cotman terra de siena and viridian Corman, Charvin bleu royal, Derwent, Albert Durer and Faber Castell watercolour pencils. Paper Van Gogh, National gallery   watercolour album, 22×30 cm (9 ×12 in.)

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